NO. 31 (SPRING 2017) ISSN 0975- 4881
- VIJETA BUDHIRAJA: Countervisuality as Directorial Approach: A Case Study of Punjab’s Counter-History in Anhe Ghorey Da Daan and Chauthi Koot
- MANMEET SODHI: Objectification of Tribal Woman in Satyajit Ray’s Aranyer Din Ratri
- GAURAV SOOD: Cinematic Delhi: a Global Scopic View of Family, Class and the Centre
- JAIDEV BISHNOI: Location/Dislocation: Human and Animal Displacements in Amitav Ghosh’s The Hungry Tide
- GURUPDESH SINGH: Ghalib’s Ambivalence and the Opening Verses of the Divan
- SAADAT AMIN AND REKHA: Solitary Cell: Prison And Gender Politics in Anjum Zamarud Habib’s Prisoner No 100 and Mahasweta Devi’s Mother of 1084
- PAVAN PUNEET BRAR: From Plate to Page: Food Discources in Print Media.